Reviews of speculative fiction, middle grade, and graphic novels, along with stray thoughts, links, and pictures.
A fun romp with a lot of lovely nerdy references, it's nice to read a UF with a heroine who really embraces geek culture. This is fairly straightforward in terms of plot, and very short as a novel (estimated at 119 pages). I may eventually pick up the next one because this was fun, but I'm not running out to buy the whole series as it was also not quite enough book to be satisfying.
The first issue starts with a blue panel with some text balloons intended to be a conversation between the creators:
There needs to be an idea behind it. We can't just decide to do a comic without any premise. We can't just come up with a cool name...something like...I don't know...Rocket Girl...without there being a story to back it up.
Wait. What's Rocket Girl?
And that's where I should have stopped, I think. The art in this is great. And it's fairly fast paced adventure, but the storytelling feels a lot like the result of that conversation. Like "sounds cool" was prioritized over anything else.
So, thanks for the warning, I guess?
I probably should not have read this right after Paper Girls. It's completely not fair of me.
Heard about this comic via another reviewer at BL, and discovered that the local B&N was doing a 3 for 2 sale on Image comics.
What is the opposite of disappointed?
This was grand. Everything I wanted. Look forward to the next volume.
I dig the writing in Rat Queens, but I think I like this even more. Dark, rich, witty, and full of life, this ensemble cast is a delight. And it presses all my SF buttons. Hard.
I guess what I'm saying here is: highly recommend.
A very ambitious project that works better than I'd expected for a short book attempting to tackle so much.
The ending is a bit of a cliffhanger, though.
All the depth here is thematic. The characters feel a bit shallow, but it's also middle grade tackling the horrors of slavery and discrimination by both literalizing the past in VR and introducing analogous situations to Jim Crow and slavery backed by actual court decisions.
Like I said, ambitions. And MG. Impressive, and easy to read in a day.
This title was originally published in late March, under the name Melody Ellsworth, with a description that made it quite clear this was set in MRK's Glamourist Histories world and had EXPLICIT CONTENT. I found out about it on April 1st via MRK's twitter account:
So... It's the April 1st. And a friend just "happens" to notice that there's erotic Glamourist Histories fanfic. https://t.co/0PEQn9FIN9— Mary Robinette Kowal (@MaryRobinette) April 1, 2016
And started reading it as soon as it was clear she was okay with it:
ALL RIGHT "MELODY ELLSWORTH" THANK YOU FOR THE PAYPAL INFUSION. And really? That many copies? Already?— Mary Robinette Kowal (@MaryRobinette) April 1, 2016
It reads very much like MRK, but dirtier. You may notice now that the author listed is MRK. Because she does love a good prank.
The only thing I can say is that I think I liked this better than the original book, Shade of Milk and Honey. Basically because it's full of action and the heroine is a kick-ass lady acrobat.
She also inverts the more standard blushing virgin through gender swap. That works but was also a bit unsatisfying as the explicit part focuses far more on his responses to her actions than on her. I'm not typically a Romance reader. One of the few things I like about explicit romance is the centrality of the female orgasm. Basically, I'd have preferred more sex on the page.
And that's a really small nit to pick. So, yeah. Definitely a Romance. A pretty fun romp. And if you want to check it out, Ellsworth's LJ has draft chapters. The ebook version is also only $0.99.
David is a friend. I don't think that's coloring my reaction to this one, but I also don't think I would ever have heard of this book if he hadn't been the author. Which is really too bad since I liked it quite a bit and look forward to the sequel.
Twins learn they are shapeshifters and go on a mythical quest to save their mom. Fun, fast, and in a setting I don't see often enough. The two protagonists are just brimming with personality. This is also firmly middle grade and going to my niece for her next birthday.
If I have to find a complaint, it feels like the end goes a bit too fast.
A note on format, there are translations of all of the Spanish words and phrases appended to the end. They're organized by chapter rather than alphabetically. If you think you'll need them, go ahead and grab a second bookmark to follow along.
I did this as an audiobook and strongly suspect I would not have finished it if I'd tried to read the paper version. There are some terribly interesting and terribly beautiful things in this book, but court politics and passive characters are really not my thing. I'm sure this is a solid novel for a different reader.
Everything that happens in this book is fallout from something that happened in the past. Characters seem to split their time between lamenting the parts of the past they can't change and refusing to think about the parts they actually could still do something about.
And supposed allies fail to share information at nearly every opportunity prior to the fourth act.
For a book that starts with two urchins attempting to butcher a fallen angel, there sure wasn't a lot of action.
There is an amazing section where a group enters the Seine - in addition to the interesting setting, this is also one of the few places that details how magic is used. That section is perfect, and the last act is interesting, but I'm not sure it's worth the laborious setup.
So much talking. So little said.
Please let the next book I read have stabbing in it.
Short version, the new release date is January 2017. Long version from the author via the link.
Presented Alphabetically by author because it's my blog and I get to make the rules.
The Rose and the Dagger - Renée Ahdieh. A May release is a sequel to last year's The Wrath and the Dawn, which I sort of loved. This is kind of big deal as I usually bounce hard off of romance heavy plots with alpha males. Doesn't hurt that the writing is gorgeous. Sentence level art.
Company Town - Madeline Ashby. Out next month, this book has been a long time coming. Originally, this was an Angry Robot title, available for pre-order ages ago. Then her editor left and she ended up moving it to Tor, which I found out about through googling after Amazon cancelled my Kindle pre-order. So I've pre-ordered again, but this time for the Hard Cover via my favorite semi-local bookshop.
The Great Ordeal: Book Three (The Aspect-Emperor Trilogy) - R. Scott Bakker. The publisher claims this will be out this July. It's been so many years since book two came out, I'm not sure I believe this is real.
Who Killed Sherlock Holmes? - Paul Cornell. The third Shadow Police novel. This May the UK edition will be published with completely new cover designs for the series. Making this the THIRD cover for London Falling. The first edition of the new installment is also paperback, while the previous two have been hard cover releases. Changing up packaging while downgrading print editions does not bode well for the longevity of this series. I've ordered it from Book Depository because I can't even find a US release date.
The Geek Feminist Revolution - Kameron Hurley. Hurley has two books out this year. First, a collection of essays that I've surely read most of before. Out in May with Llama cover art!
The Stars Are Legion - Kameron Hurley. Her second book for the year comes out in October, from her 4th (?) publisher, Saga Press. While I'm eager to read the final Worldbreaker Saga, I'm also thrilled to have a new space opera to pass the time while waiting.
Ghost Talkers - Mary Robinette Kowal. Kowal crowd sourced early readers via her blog for this August release. She had mentioned the concept at a book signing the previous year, and I was quite smitten with it. The early version we read was a lot of fun, and given the stuff she was planning to add, I look forward to reading the final version.
The Winged Histories: a novel - Sofia Samatar. I'm late making this post, and The Winged Histories is already out. My copy is sitting at the previously bookshop 2 hours away. Maybe I should pick up the e-book in the meantime?
What am I missing?
my aesthetic is somewhere between "fiction with a works cited page" and "academic article with too much personal information"— Sofia Samatar (@SofiaSamatar) February 29, 2016
So you've just finished the award winning Stranger in Olondria or the recently released Winged Histories and are staring at the last page in sheer awe of the brilliance of this author.
What do you do now that you have finally managed to pick up your jaw? Where do you get your next hit?
You are in luck! While Samatar's novel count is only two, her body of work also includes short fiction, poetry and essays.
Here is a partial list of shorter pieces you can read right now:
Don't worry, that is far from all. Her website has a complete list of her works. There are no wrong answers to what to read next.
I'm not even sure what I'm writing here is a review so much as a collection of ramblings about this book. So let's start of with a few useful sentences before diving into whatever the hell I'm on about here:
This is stronger than the first installment, but is also very true to the characters, setting, strengths, and weaknesses of that book as well. If you weren't sold on the protagonist after the first one, this will feel like more of the same. If you liked the first one, congratulations, more Owl for you.
For me, someone who dug a lot about Owl and the Japanese Circus, but also had a list of very specific complaints, reading this was a weird experience. I know in terms of book production timelines that there is basically no way Charish could possibly have read my review and written an entire book in response to it, but Owl and the City of Angels feels like she was doing just that. And with a reasonable degree of success.
It starts off with her finally thinking to use the damn game as an asset in her reconnaissance. But being Owl, she does it in a convoluted, backwards way that makes everything worse for her. Perfect. No sarcasm there - this is exactly how Owl would do it. Complaint addressed, but without retconning anything.
I'm still not wild about Rynn. While book one cataloged many of Owl's issues, in book two she has identified one she wants to change. Sadly, she elects to improve her interpersonal relationship skills by ignoring her instincts with Rynn and basically ceding defining their relationship to him. And this feels true. In no small part because it's very Owl, but also because at some point Nadia says something about it - a nice gesture to the reader that the author knows Owl is fucking up yet again. There's also a really great scene late in the book where Owl finally manages to use that big, beautiful brain of hers to think through their interactions and draw a valid conclusion.
Let's take a moment to appreciate this: By the end of this book, their relationship is improving. Not because she buried her misgivings or acted against her instincts, but because she used critical thinking and communication. Mother. Fucker. Best book ever.
Also, we get enough new pieces in the grad school disaster puzzle to actually form a coherent picture.
It's by no means perfect. I still find the way she interacts with the game to be baffling, but I suspect the third book will recontextualize that as successfully as this one does her grad school experience and the unbroken masquerade. Her comments about how the IAA stepped up security don't really paper over the giant continuity hole that is this seemingly entirely different organization. And while I'm not wild about Rynn, he's competent in a way that makes one of the later plot detours seem rather absurd from a logistics standpoint. And why is this world like 95% dudes? Is it because almost everyone she knows is an engineer? And the cover - makes sense having read the book, but boy is it poor marketing. Readers of the first book will find it baffling to see her holding a knife and new readers are being set up for disappointment.
I should probably stop now as the rest of the list is really small stuff. Just so you understand how ridiculously nit picky I am being right now, here are a couple of copy editing errors:
I glanced down; there was a cork mouse floating in my coffee, the one I’d balanced in my lap before nodding off. I held the mouse up. “Did you seriously just throw a mouse in my coffee?” Captain chirped again in response. I pulled the mouse out and launched it across the room. Captain took off, his hind legs skidding out as he tried to make a turn.
The second sentence should start, "I held the mug up."
Looking at the wall, I could have sworn I needed to go left, not right, like Carpe said.
Followed shortly by:
“Alix, Carpe’s right, I can see it on the map—left tunnel,” Nadya added.
Yeah . . stopping now.
Action packed and with a good lead in for the third book, Owl and the City of Angels is a lot of fun. This series is a great ride, and I'm looking forward to the next one.
- Archivist Wasp (currently re-reading)
I just finished this a couple of days ago and am struggling to sit down and write out my complex reaction to it. In short, it's the best book in an already quite good series. I mean, just look at the freaking covers - this series is killing it.
It's also exactly what I needed from a series right now in terms of just how personal the stakes are. One of the things I struggle with in UF is the rapid escalation from personal stories to world engulfing intrigues. And the previous installment in this series, while fun, was also a textbook example of this "problem". In quotes because I realize this is a special quirk of mine. The action quickly moves to New York and the global scope is on the horizon. And while all of that is still happening in book 5, it's happening higher up in the zombie organization.
Angel has her own struggle to cope with, complicated by other, local incidents she's the only one in a position to handle. And this works so well. So fucking well. Plenty of action and plenty of tension without a plot that requires going bigger in terms of world building.
Now I'm going to utterly fail in my responsibilities as a review, and suggest you instead read this somewhat spoilery, detailed review from Fangs For The Fantasy because yes to all of it, the good and the bad.
I want another hundred books in this series.
Punctuated with historical photos, this YA historical fiction with supernatural elements is a re-imagining of Hamlet told in prohibition era Oregon. Instead of a rich white man who can't commit to anything, we have a young, biracial girl who cannot trust anyone.
The further I got into this book, the more I liked it. It isn't strictly a retelling of the play, but it does reuse certain plot points as Hanalee tries to figure out what really happened the night her father, a black man married to a white woman, died. The official version is that he succumbed to injuries from a car accident where he was struck by a drunk driver, but the recently released boy has a different story, and her father's ghost walks the streets at night, restless. Her search will uncover other crimes from that same night and reveal the activities and interests of the KKK in her small town.
The places where this runs parallel to Hamlet are interesting in their inversion of the power and privilege of the two characters. The places where this deviates from Hamlet are the best, though. Hanalee doesn't talk in riddles, is up front with her mother about her suspicions, and knows how to aim a gun and when to pull a trigger.
I read an ARC and I am now looking forward to reading reviews when it's out in March.
ETA a spoiler to address Merle's comment below since afaik I can't do so in the comments.(show spoiler)
I do love a good unsubtle dystopia. In this Finnish Weird novel, the government has strictly defined gender and aligned citizen's rights based on this classification. And this book is relentless in presenting the disadvantage to women these classifications represent while not conflating those roles with the women themselves.
Basically, being a woman sucks. Even if you are naturally inclined towards all the legally defined traits of "femiwomen," you're still in a population that the government subtly condones (and less subtly at times encourages) violence against. And this book is worth reading for it's conversation with violence against women alone.
The government, while claiming the goal is protecting the health of the Finnish people, enacts a sweeping eugenics program. And there is a prohibition on tobacco, alcohol, and capsaicin. Which is too bad for our heroine as a hit of hot pepper is all that keeps her from falling irrecoverably into depression.
I dug this. I usually respond poorly to heavy exposition, but this books construction totally worked for me. Short chapters rotate between first person bits, letters, articles, legal codes, text books - at one point a propaganda film. All of it is interesting and some of it is either real or only lightly modified from the real world equivalent.
If I have to pick a quibble, it's that I feel like there is a bit of bait and switch at the beginning. This book opens with the main character shoving a sample of chili in her labia because "the lower lip never lies" but after that is basically chaste until around the 70% mark. Pretty minor an issue, though, as this novel has so much more going on.
You know how that wanker, Batman, is always claiming not to kill people while carving a path of death and destruction through Gotham? This is all the death and destruction, but from the POV of a super hero who gives a fuck about the unnamed masses harmed by her actions and inactions.
The gory finale of book one still haunts Gwen and Taog, but it turns out things aren't quite finished. Gwen tries to work with the local law enforcement, with some success and some trust issues. She finds new allies and successfully uses a fucking cell phone.
Like, seriously, I cannot get over how often I'm expected to ignore that plot points shouldn't exist thanks to cell phones in UF novels. At last, one that doesn't pretend the technology doesn't exist. It's refreshing.
I'm also delighted with the amount of bloodshed and no win situations in this book.
And our heroine still has to maintain a day job.
Oh, and pacing. The pacing is pretty good. Not quite breakneck, a few pauses to catch our breaths, but overall quite good.
A+ urban fantasy. Just like the first one, but even more so.